I Am The Sun and He can Go Suck It

I Am The Sun and He can Go Suck It
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Grey's Anatomy Addicts in in no way affiliated with ABC TV, Shonda Rhimes or Grey's Anatomy. It is a personal blog containing news and gossip, my personal opinions and that of the fans. All photos have the correct attribution added.
Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Wednesday, June 27, 2012

Grey’s Anatomy Star Sandra Oh Talks About ‘Cristina and Owen’





Recently the Hollywood Reporter spoke to Sandra Oh about Grey’s Anatomy, her character’s storyline, and saying goodbye to cast-mates.


Read the interview below: 


The Hollywood Reporter: This season has been particularly grueling for Cristina: an abortion, a broken marriage and infidelity, all topped off by a plane crash. Which scene did you grapple with the most?


Sandra Oh: It has been an extremely challenging year that has had a lot of ups and downs, both challenging and exhilarating. A lot of the scenes that Kevin McKidd and I did of Owen and Cristina arguing in their apartment was like its own story line. We would shoot all our scenes for a day or two straight, and that was extremely challenging because emotionally and physically it becomes really exhausting. Our finale was extremely challenging physically and emotionally. So, I'd say two things - our finale and those apartment scenes where Cristina and Owen lock themselves in and just go at it.


Cristina tosses a bowl of cereal on him, which isn't a reaction that Cristina is typically prone to.


Wasn't that good? Kevin had to have cereal thrown on him eight, 10 times for that one because we did a bunch of angles. There is that one shot - and we only did it once - which was his close-up, which was also my best and most direct hit. He was a great sport about that. Mark Jackson directed that episode, so we had special effects make a soft bowl because I'm not actually throwing an actual ceramic bowl at him. But that was real milk and Grape Nuts. I really liked that scene because that's her first actual moment of connection with him after he tells her the truth. Even though it's physical and it's violent, it's also a connecting moment between them where she looks at him and connects again.


Cristina rarely expresses so much emotion, which she did a lot of this season. It was a slow burn that started with the season premiere and carried throughout the season, which is different that the Grey's we've seen in the past.


You see her express her emotions with only two people: her best friend Meredith and her husband Owen. To see someone being pulled apart so intensely, which honestly most everyone goes through in their life in some ways, if you're lucky you're completely pulled apart and then you have to pull yourself together, which hopefully will be the exploration within hopefully the next season. It's not like we played this in a couple of episodes; we've played this throughout the entire year, and the reality of the resentments building and things not being dealt with building and betrayals happening is closer to real time in the way that we played it. Being on a show for this long, you don't have to do things boom-boom-boom because you have eight years of history and developing the character. So you can take your time with things and let it soak in, in a different and deeper way. I'm super-proud of this year. Having been on a show eight years, for me to have the richest storyline now, I'm extremely grateful.


Looking back on the season, is there one particular scene that you're most proud of?


It's an earlier episode with Teddy (Kim Raver), and it was a very technically difficult scene: Telling Teddy that Henry (Scott Foley) had died was a difficult scene, but there was one episode after that where Teddy needs to hear what happened in the room over and over again. All Cristina does is tell her what has happened medically, and all my dialogue was completely medical; I would just spout this out over and over again because she would just need to hear it until finally at the end of the episode, something shifts for her and she accepts what happened. I remember getting that episode and reading it in the run-through, and all my dialogue was reams and reams of medical jargon. I knew I had to start memorizing it right away and asked them not to change it since it was very challenging. You saw a crystallized version of Cristina, where she does her job and she hangs on to what she has to do and delivers the information. It's vintage Cristina. Then everything with Owen is Cristina coming apart.


What was filming the finale like? You're on location in the mountains near Big Bear for more than a week after the plane crash, which adds a physical element to an already emotional episode.


It was so hard. It was physically and emotionally challenging because you're constantly at extremely high stakes. The physicality for Cristina, she had to do a lot of things with one arm, and I had to do a lot of things with one shoe. You're running around the mountain with one shoe and one arm basically and doing things that way. And it's like we've had this cushy time on stages and in the hospital. But being out in the open on the side of a mountain was exhilarating; you cannot beat location work. I've done very little greenscreen work, but it's just a pooper. I don't care how much you blow that fan on my face, there's not a helicopter coming at me. It's really hard to manufacture the clear reality of what that is, but when you are on a mountain and you are freezing, you're freezing.


What does getting out of the hospital set do for the cast? In addition to Big Bear, you were away from the set and on the Disney lot in Burbank for the hotel scenes for the boards. Could we potentially see more new locations next season as the residents begin heading elsewhere?


It totally reinvigorates us. They had to build the hotel, the hotel rooms, and they built a bunch of other sets. It's reinvigorating for everyone, including the crew, who we've spent the last eight years on five stages. It's nice to go out; I'd love to see them in different places. We could possibly see them in other places, but again I have no idea what Shonda is going to do after this finale.


Filming the finale, in which Grey's said farewell to two castmembers -- Chyler Leigh's Lexie, who died, and Kim Raver's Teddy, who moved on -- what was that process like for you?


The finale was such a great experience, everyone really got out of their comfort zone. Those were some really painful, devastating scenes. We saw one scene cut together, and I had to get my hair and makeup redone; I could not stop weeping -- and I wasn't in that scene. It was extremely difficult because people come in and out over eight years. It's rare to have certain people be around you for eight years or five years or even three years. There's a kind of carnival aspect of to it. A lot of times for plays or films you come in for six weeks, fall in love with people, and you leave. You become family members and have really deep ties with people even if you don't spend time outside of work with them. When you have to let go of some of those things, I found it extremely difficult and extremely sad. We've been down for almost a week now, and I'm just extremely depressed and recuperating, but it's not just the physical recuperation. This has happened to me before with certain projects that I have left that I feel really low, and I know we're coming back, but certain things and dynamics will have shifted, and there's a lot of that makes me very sad.


Changing it up a bit, after so much heavy material this season, was there a scene that stands out when it was the hardest to keep a straight face?


Justin Chambers is pretty funny and always makes us laugh during scenes in April's office. There's also an episode right before Cristina actually tells Teddy about Henry where Teddy wants to dance and have a good time and she's going like, "Woo-hoo, woo-hoo," and that was pretty funny. What I really like about our show is it's really a drama with a lot of really good comedy in it, and it's mostly comedy based on character. After some heavy stuff, I'm sure that they're going to give us some funny stuff to do. And Cristina's stuff with William Daniels when he's her proctor, I thought that was hilarious. I just thought how amazing this is if we're talking about medical shows past and present. I'd be so willing to do that in 25 years, to come on as a doctor to some other kid in a medical show.


Well that was quite an interview and very informative and entertaining, but since when is Sandra Oh not entertaining and interesting to talk to. She makes a habit of not doing many interviews, however the ones she does do are definitely worth reading and/or seeing?


She didn’t really give us any clues into what to expect for Season 9, but I didn’t really expect her to as the actors probably have no idea what’s to come, unless scenes were filmed for Season 9 before they went on Hiatus. If they are filming at Big Bear in September then I think we can assume those scenes were filmed back in April before the actors went off on their holidays.



What did you think of Sandra Oh's interview? Sound off in the comments or you can chat to me and other Grey's fans on Facebook or Twitter.



You can also find more about Grey’s Anatomy at THR Official Website or you can read more Grey's Anatomy articles at: JanelleCoulton@Suite101

Copyright © 2012 Janelle Coulton

 

Wednesday, June 6, 2012

Shonda Rhimes Talks About Writing "Grey's Anatomy, Private Practice and Scandal



Ms Rhimes and fellow Show-runner Colleagues teamed up for a Chat with The Hollywood Reporter.


Given that I am writer/blogger; I am alway fascinated to read about other successful writers and how they deal with things like writer's block, the never-ending creative process of writing a long running TV series or Novel, or whatever!


This interview was quite lengthy and because I am a Grey's fanatic, I chose to leave out most of the comments made by the other show-runners. However, the link to this article is post below for anyone who wishes to read theh entire article or watch the video.


Anyway the following is Shonda's part of the interview:


THR: How difficult is it to kill off a character?


Shonda Rhimes: Killing characters is never fun. I remember for Private Practice, trying to get in touch with [actor] Chris Lowell — it was the same thing. He was on a mountain in Africa. He was like, “Well, I’m in the most beautiful place in the world to hear that my character’s going to go.” And then he said: “OK. Can you at least just kill me in the worst way possible?” And I was like, “That I can do.”


THR: How difficult is it to keep these secrets?


Rhimes: We have fake sides [specific pages from the script in which an actor’s character appears]. The media will report something that’s going to happen on Grey’s Anatomy, and it’s completely wrong because we have an assistant who spends all of her time writing fake sides.

THR: Do you know how your show will end?


Rhimes: I knew how Grey’s Anatomy ended — if we had ended in season two or season four. But now we’re heading into season nine, and I have no idea. I have no plans. I’ve learned to let that go.


THR: Shonda, you’re very active on Twitter. Does that make your creative process easier or more difficult?


Rhimes: I don’t think that it affects it because by the time the audience is seeing something, we’re so far ahead and stuff has already happened beyond that, that it doesn’t actually affect what we’re doing. It’s sort of an exercise in torture. I sort of don’t know why I get on there. It’s a little like inviting people who hate you into your house to say mean things to you. Twitter is most useful for talking to the press because if I tweet something, reporters will pick it up and put it on paper. I don’t have to get on the phone. (Laughter.)


THR: Shonda, with three shows, how do you make sure each episode still has your imprint and tone?


Rhimes: If you spend time in the writers room, it usually comes through. You know, I feel like I spend some time downloading my brain, and then I have to go someplace else and download my brain there. But what’s worked is, on Grey’s, I’ve kept the same writers since basically season two. Those people know me inside and out: “Shonda’s not going to like that.” They answer their own questions a lot of the time. On Private, I’m still continuing to hone that skill. But on Scandal, it was great because I said, “I’m just going to plop myself down in this writers room like the old days.” And then everybody can come ask me questions about the other two shows.


Winter: Did you hire new people?


Rhimes: I took some people from different places. It was sort of like this very interesting dream team, and there were only five of us. We spent tons of time just planning everything out, and we had a blast doing it. We all went back to Grey’s Anatomy, but it was great.


Gilligan: Are you all in one complex for all three shows?


Rhimes: No. I’m on three different lots. I don’t know how it happened, but I do know that it requires the studio to pay for a driver for me. (Laughs.) So I’m not going to complain about it. That is the single greatest thing that’s ever happened. I was trying to do like two days here and two days there and one day here. That didn’t work; I probably hit two shows every day. They’re all on this side of town — Raleigh, Sunset Gower and Prospect — so it’s not so bad. I have a 3-month-old baby now, so I just said I was going to work from home and everyone had to come to me there! And they have this awesome editing system where you can edit from home. So that’s been good. Time management, I guess.


Rhimes: I’ll get the Private Practice script and I’ll get the Grey’s script, and I’ll be like, “These two patients are exactly the same, and look, they’re both saying the same thing.” But the writers don’t talk to one another! I’m the only common link, which means that I went from one writers room and pitched a story to another writers room, and pitched the same story but did not realize that I was doing it.


THR: You are all at the top of your game, careerwise. But is there something you haven’t done in your lives that you’d still like to do?


Rhimes: About once a year, I announce to my sisters that I’m going to get my master’s in library science. I’m very serious about it. The idea of being a librarian is like the happiest job I can think of. My sisters laugh at me every single time, and they’re like, “It’s not going to happen, let it go.” But one day I’m going to have a library in Vermont somewhere.


So Grey's Fan's, what did you think of that? I felt as though I was given some insight into where Shonda is coming from. Anyway feel free to comment below or via Twitter and Facebook.




Read the full article here: TheHollywoodReporter



To read more about Grey's Anatomy, Please visit me at: Janelle Coulton's Articles @ Suite101


Copyright ©2012 Janelle Coulton